In Need of New Webhost That Will Do a Great Job and Help Stopping Smoking Abstract Art Painting
The Fair Toxophilites, William Powell Frith
Fine Art
RAMM's Fine Fine art collection comprises over eight,000 objects in an eclectic mix of paintings, watercolours, drawings, prints and sculpture, representing important British artists and besides celebrating the Museum's location in the Southward West.
The collection is potent in portraiture and has a big drove of mural paintings, primarily of Devon and Exeter by local and national artists. Later on the collecting policy broadened to take in other British and European fine art, including Victorian. There is likewise a collection of 20th century artworks.
Explore RAMM's Fine Art Collection on Collections Explorer
Paintings
RAMM's painting collection ranges from 16th to 20th century portraiture, landscapes, genre and Modern. Before the photograph, painting alone offered recorded evidence of what people or events looked similar. Categories of paintings are very varied from portraiture to landscapes, still life to genre pictures, to modern British abstract paintings. RAMM'south painting collection covers all these areas across many periods. The drove contains works past Thomas Gainsborough, Thomas Patch, Francis Hayman, Sir Joshua Reynolds, Benjamin Robert Haydon, Francis Danby, William Powell Frith, William Etty, Stanhope Forbes, Terry Frost, Duncan Grant, amidst others.
Portraiture
Portraiture (or 'portrait painting') in England has a long history, and this is represented in RAMM'south collection. In the making of a portrait, the relationship betwixt artist and sitter is a complicated one, in which physical likeness is affected by the creative person's style and the sitter'southward intentions.
In the eighteenth century, portraits were a staple of artistic product, even in the provinces. Although the aristocracy and gentry dominated the ranks of sitters, artists were also great to make self-portraits. In addition artists besides wanted to tape the likenesses of their families, friends and colleagues, along with writers, actors and swain artists. Although the invention of photography threatened the portrait industry, it remained an of import artistic genre and is withal significant today.
The significant portrait drove at RAMM features works by early 17th century artists to well known artists such equally Pompeo Batoni, Sir Joshua Reynolds, Thomas Gainsborough, Thomas Hudson and Richard Crosse.
Landscape and Locality
The landscape pictures in RAMM's drove encompass wild moorland and wooded river valleys, spring orchards and ships on the shore.
The images in the collection are primarily of places removed from industry and urban growth. Whereby most of the pictures are of rural or coastal landscapes rather than their urban counterpart. In the eighteenth and nineteenth centuries this was to exist expected; Devon was attractive to artists for its picturesque appeal at a time when landscape fine art was dominant. However, when twentieth-century artists chose to paint rural Devon they were working away from the preoccupations of the avant-garde art of their time.
Subsequently a successful exhibition on early Devon painters in 1932 more than emphasis was placed on collecting works by local landscape artists. Paintings by artists built-in in or associated with Devon class a core of the Museum's collection of paintings. The collection contains works past important artists from the mid 18th to the early 20th century. Included are works past Francis Towne, John White Abbott, Francis Hayman, Thomas Luny, John Gendall and a pregnant collection of works by William Widgery and Frederick John Widgery.
As well equally the local artists and scenes, the Museum too holds a collection of landscape painting, in which are works by Richard Wilson, Joseph Wright of Derby and Thomas Patch.
Discover the landscapes on Collections Explorer
Victorian Paintings
In that location are superb examples from the Victorian menstruation in RAMM's collection which include works by William Powell Frith, Frank Holl, and Edward J Poynter (1836-1919). These paintings were acquired by the Museum via gifts and bequests and offering a unique insight into Victorian pic-collecting practice.
The paintings are primarily British and range from 'sentimental' paintings by Kate Greenaway and John Wainwright; to a post Pre-Raphaelite painting by Poynter; to Landscape and Portraiture by Danby and Frith. Frith'due south work The Fair Toxophilites is of the artist's children and is one of RAMM's most well-known Victorian paintings.
Twentieth Century
RAMM also has a collection of early-to-mid 20th century paintings, prints and drawings. The Fine Art collection holds paintings past members of the Camden Town Group such as Walter Sickert, Harold Gilman and Lucien Pissarro. The collection also contains works by members of the St Ives School together with individual paintings by John Nash, William Roberts, John Minton, Duncan Grant and William Walcot.
The collection also holds works by Barbara Hepworth and the groups and schools with which they were associated (east.g. Bloomsbury School, Euston Road Schoolhouse). We likewise have a small selection of works past war artists acquired via the War Artists Advisory Committee past artists such equally Paul Nash (1889-1946), William Lionel Clause (1887-1946) and Albert Charles Bown.
Watercolours
The Museum's superb drove of watercolours consists of effectually 1500 works and shows the range and breadth of this very popular British medium. Watercolour has been prized past artists for its delicacy and luminosity. Effects of brilliancy and clarity are achieved by the layering of semi-transparent washes of pure colour on white or tinted newspaper.
Browse the watercolours on Collections Explorer
Watercolour is a versatile medium, assuasive a number of different effects to be produced through the use of various techniques. This versatility, alongside the medium'south small scale, and relative cheapness compared to oil pigment, has added to its popularity.
Over the centuries, a wide range of artists have used watercolour. Medieval artists in Great britain used the medium to illuminate manuscripts. After in the 17th century watercolour was used by artists painting portrait miniatures. It was not until the 18th century, nevertheless, that a particularly British watercolour tradition began to develop.
The collection of watercolours features work by John White Abbott, Francis Towne, Samuel Prout, William Payne and George Townsend, as well as work by John Constable, Benjamin Robert Haydon, Frederick John Widgery and Edward Burra.
The Golden Age of British Watercolours
The period between 1750 and 1850 is known as the Gold Age of British Watercolours. At the starting time of this menstruum, watercolour was used to represent topographical views, mainly picturesque views of town and country. At first, artists used watercolour to add colour to line drawings. Even so working inside the 'tinted drawing' tradition, Francis Towne and John White Abbott explored the more painterly effects which could exist accomplished with watercolour.
Equally artists began to explore the possibilities of the medium further, drawing became less important. By the 1800s, the British watercolour tradition was at its peak. Artists John Constable, Joseph Mallord and William Turner exploited the full potential of the medium to realise atmospheric furnishings of light and weather conditions.
Devon and Exeter in Watercolours
As well as reflecting the development of the medium, the Museum'southward watercolour collection tells the story of its use in representing Devon and Exeter from the 18th century to the present 24-hour interval. The works demonstrate the special and long-lasting human relationship of watercolour artists with the unique Devon landscape.
Drawings
Drawing is the near immediate form of creative expression. Information technology is often the first pace in virtually painting, sculpture and compages. Some drawings are independent works in their own correct. The Museum's collection of drawings contains fine examples showing a range of drawing practices and techniques.
Browse the drawings on Collections Explorer
A large number of drawings in the collection tell the story of the importance of drawing to artistic training. Academies of art expected artists to have mastered the technique of copying from casts, followed past life models, before they were immune to progress to paint.
Learning from life and the Old Masters
Artists not trained in the university also drew from life and the antique as a ways of understanding beefcake, or copied the works of the Old Masters to help them sympathize composition and technique. The drove contains works by Samuel Cousins, John Constable, Benjamin Robert Haydon, Philip Henry Gosse, Frederick John Widgery, Barbara Hepworth and Paul Nash. Drawings tin also serve as a annotation or written report for further piece of work in the studio.
Collections of drawings
Benjamin Robert Haydon, Frederick John Widgery and John Constable are artists who used drawings every bit memory aids for later works. Leap volumes of over 100 drawings by Lawman and Haydon were bequeathed to the urban center of Exeter in 1897 and entered the Museum'due south collections in 1978. Frederick John Widgery donated a big selection of his own work to the Museum in 1931.
Prints
Prints are valued for their mechanical and technical aspects, as well as aesthetic claim. This collection contains a broad and fascinating range of discipline affair and techniques in works dating from the 16th to the mid 20th century.
Explore a selection of prints on Collections Explorer
Ane of the largest groups represented in the collection is of topographical interest with subject matter relating to the buildings and landscapes of Exeter and Devon. They permit u.s. to visualise the changing landscape through time. Some prints depict historic events in both city and canton. Many of these prints engagement from the 18th and 19th centuries, when they were issued in volume or page form.
Commercial engraved portraits
Engraved portraits also grade a 2d grouping of several hundred works from both Uk and Europe. These prints were produced for sale in big numbers during the 18th and 19th centuries. They depict an extensive range of subjects from the worlds of royalty, politics, science, literature and the arts, to eminent armed services and naval figures.
Modernistic printmaking
This collection contains outstanding examples of modern printmaking contained in the collections include tardily 19th century commercially-produced prints such as those by London Ship and Empire Marketing Board posters from 1910 onwards and 20th century express edition lithographs such works by artists like Graham Sutherland and Paul Nash.
Sculpture
The Museum has a small sculpture collection which contains piece of work ranging from Medieval to Mod.
The oldest piece is an impressive carved-oak altarpiece from the Netherlands, which dates from the belatedly 15th century. There is a choice of works past John Angel (1881-1960) and other early late 19th and 20th century classical pieces past sculptors such as Antonio Canova (after), Frederick J Halnon (1881-1958) and Henri Fonderie (attrib.).
Other highlights include sculptural works and reliefs by such prominent modernistic British artists as Mary Martin, Barbara Hepworth, Michael Ayrton and Peter Thursby.
Contemporary Art
Without agile acquisitions time to come generations soon become denied admission to ideas and material culture from their past. To complement the 2007-11 development project a function for contemporary artists was created in the design process for the new build and the interpretation of the museum collections.
RAMM commissioned three artists whose work is an integral element to the museum now information technology is open up. The works will remain as a permanent contemporary art legacy in the new life of the museum.
The artist pick was made on quality of work and ambition of ideas, proven ability to execute commissions and collaborate with others. It was of import also to select artists whose practice is not principally making site-specific commissions of this kind and that the grouping reflected a range of artistic traditions and possibilities found in contemporary art.
The artists we worked with on the 3 commissions were Maria Lalic (b.1952), Nicky Hirst (b.1963) and Michelle McKinney (b.1977).
Artists continued to be deputed in a serial of projects between 2012 and 2016. Further information can be found on the 'past contemporary art commissions' page.
Between 2018 and 2022 RAMM is working with contemporary artists on a range of commissions and projects inspired its varied and rich collections.
Source: https://rammuseum.org.uk/collections/fine-art/
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